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The Calling Card Script: A Writer's Toolbox for Screen, Stage and Radio, by Paul Ashton
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The calling card script is the script that expresses your voice, gets you noticed and helps you reach commission and production. Written by Paul Ashton, Development Manager of the BBC writersroom, and born out of his wide experience of reading scripts, working with writers, and as an industry 'gatekeeper', this is a guide to the key writing tools you need to know and understand to write a truly original script.
As many professionals need to switch mediums and genres in order to survive and thrive, the book uniquely draws together the universal principles of dramatic storytelling for screen, stage, and radio. With a focus on the script as a blue print for performance, sections and chapters break down into bite-sized practical insights and the book mirrors both the journey of the story and process of writing it.
The Calling Card Script shows how to tell a great story in script form and offers valuable professional development insight for all writers, whether established or just starting out, who wish to hone their craft and speak their voice.
- Sales Rank: #3845595 in Books
- Brand: Brand: Methuen Drama
- Published on: 2011-06-21
- Released on: 2011-06-21
- Original language: English
- Number of items: 1
- Dimensions: 8.47" h x .69" w x 5.44" l, .55 pounds
- Binding: Paperback
- 256 pages
- Used Book in Good Condition
Most helpful customer reviews
2 of 2 people found the following review helpful.
An absolute gem!
By Sarah
There are few books so insightful and inspiring! I just wish I'd discovered this before having to trudge through the dreary tomes of 'Hollywood' books on screenwriting or the paltry few of either rather dated or disappointingly dilute UK books that I'd tried before finding this absolute gem!
This book is just leaps and bounds ahead of anything else that I have come across on the subject. Some books try to blind you with science by boiling the art of writing down to mind boggling diagrams, that seem clever at first but then you realise you haven't learned anything more than classification. Other books are either way too long (and subliminally discouraging), or too sleek and snappy -designed to attract those not really serious about writing who are looking for the quick fix, dot-to-dot/paint by numbers approach and unfortunately...if it were that easy... The bottom line is that if you are serious about writing, this book will most definitely help you in ways no other book on the subject will. It's passionate, honest and hugely insightful. I found it fun to read, yet in depth enough that I know I will be going back to dip into it again and again - like the rich feast of a toolbox that it is!
The only tiny niggle I have is that the font it is printed in is a tad small and close together - but that really is being picky.
In a nutshell - if there is just one screenwriting book on your bookshelf, make this it!
0 of 0 people found the following review helpful.
Buy it!
By deb
What's so great about this book is that it investigates story and character using material from British artists from Shane Meadows to Shakespeare, and examines television dramas we all know and love such as Life on Mars and Shameless. Even Ian Beale from Eastenders gets a mention!
This is exciting because although the book doesn't exclude Hollywood, it acknowledges you don't have to aspire to write for Hollywood or the Hollywood model to get produced. Yay!
The book is carefully considered, honest, practical, thorough and rammed with information and advice about stuff I didn't even know I still need to learn. It has definitely deepened my understanding how scripts (and stories) function.
This is the book I wish I'd had while I was doing my creative writing degree.
Slurp!
2 of 7 people found the following review helpful.
No real kindle sample
By bookreader
The sample provided by this book is only the foreword to the book.
FAIL. If you're going to publish an ebook you have to provide at least some of the actual book in the sample otherwise it's of no value.
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